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Cast Of Thousands | 
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| Artist: Elbow Label: Commercial Marketing Category: Music
List Price: £5.99 Buy New: £2.69 You Save: £3.30 (55%)
New (40) Used (4) Collectible (2) from £2.69
Avg. Customer Rating: 37 reviews Sales Rank: 351
Media: Audio CD Running Time: 50 Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.6 x 5 x 0.5
EAN: 5033197218120 ASIN: B00009NQZC
Release Date: July 1, 2006 Availability: Usually dispatched within 1-2 business days
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| Tracks:
| • | ribcage | | • | Fallen Angel | | • | Fugitive Motel | | • | Snooks (Progress Report) | | • | Switching Off | | • | Not A Job | | • | I've Got Your Number | | • | Buttons and Zips | | • | Crawling With Idiot | | • | Grace Under Pressure | | • | Flying Dream 143 |
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| Editorial Reviews:
Amazon.co.uk Review An astonishingly intense and ambitious album, Elbow's Cast of Thousands is relentlessly experimental. Having toiled for 10 years over their spellbinding Mercury-nominated debut Asleep in the Back, the maverick Bury five-piece--who were initially hailed as the new Radiohead--have produced a worthy sequel in a comparatively short two years. While mirroring their debut's melancholy tone, this album's romantic lyricism and uplifting harmonies inject a fresh dynamic. From the first bar, Cast of Thousands is enthralling. "Ribcage", an exquisite rousing treasure, builds on a languorous and fragmented melody into a cohesive climax while Garvey listlessly intones (with a flat mic taped to his larynx) the charming mantra, "When the sunshine/ throwing me a lifeline/ finds its way in to my room/ all I need is you". Meanwhile, the London Community Gospel choir's spiralling harmonies echo Blur's "Tender" in its lo-fi, mellifluous majesty. But the majority of the album is far less grandiose with the haunting "Snooks (Progress Report)" and "I've Got Your Number" bristling with an unnerving intimacy and brooding dialogue. It's an enchanting return that finds Elbow stretching from despair to lovelorn tenderness. --Christopher Barrett
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| Customer Reviews: Read 32 more reviews...
Love It January 18, 2008 Elbow have written and performed some of the best music this century (IMO). Beautiful ballads & catchy tunes,
Favourite Tracks: Fugitive Motel & Grace Under Pressure
Drab, seven thousand shades of grey May 14, 2006 2 out of 32 found this review helpful
The music lacks drive and composure. It drifts seamlessly from one 2-demensional number to another, there are no gates of pleasure, no emotions other than the drab. Too many influences, too much historical rhetoric and too little raw edge - seems to fit with the UK music image, all pretty petticoats and no balls.
Moving Rock But Probably Not Everyone's Bag August 3, 2005 3 out of 3 found this review helpful
It'd been my experience that the more you listen to Elbow, the better they get. When I was given their first album Asleep In The Back, I just had it on in the background while I read a book. Didn't really think too much about it considering how much my flatmate hyped them up. I liked the first track alright but it didn't throw me out of the chair. A week later I listened to it again but this time I really listened to it. "Hey! This is pretty good," I thought and listened to it twice more that day. I liked it more each time. The new album is made the same way. The first time I listened to it I didn't think it was as good as their first. Then I listened to it again and again and so will you.It sounds a bit more polished than Asleep but is just as moving and it's a bit more psychedelic but just as powerful. Although Elbow sounds relatively familiar, they have a fairly timeless sound, not borrowing too heavily from any one decade's influences. While the first album tended to have a few more all out rock moments, Cast Of Thousands sees Garvey and company matured to a more composed and collected form. Their power lies in their simplicity...but it's pretty much pointless to try to fully explain the movement of Elbow. Their work just needs to be felt. Imagine that! Feelings still exist some 20 years after Satan launched his own channel, MTV. In the words of the Glastonbury 2002 crown at the end of "Grace Under Pressure," an amazingly moving song, "we still believe in love so f**k you!"
A band on the move April 5, 2005 2 out of 2 found this review helpful
This album shows a band on form, moving on from asleep in the back (another marvelous album)into a territory full of samples bips and bleeps. The sound is still noticabley that of elbow but the songs are a little more hopefull. From the opening track ribcage ("tear my ribs apart and let the sun inside") to the final song backed by a glastonbury album this is an album to be treasured.
Elbow show they have grace under pressure July 13, 2004 7 out of 7 found this review helpful
After Asleep in the Back, an album that took years to create and release, Elbow must have felt the strain when asked to make a follow-up in a much shorter timespace. However, the pressure seems to have worked well as they have made a brilliant second album that shows just how talented these guys are.The great thing about this album is its layers: Elbow really have a thing for attention to detail. All the tracks add layer upon layer to create amazing soundscape-like masterpieces that are at once catchy and melodic. The experimentalism on this album is also catchy. Everything from the offbeat, sometimes jazzy sometimes just odd drumming to the quiet piano, repetitive guitar sounds, melodic offbeat bass and giant gospel choirs just seems to work well together. This is partly due to great production by Ben Hillier & Elbow and partly due to the band's creativity. The good thing too is that the album still retains the dark, melancholy feel of the first album; it just achieves it in slightly different ways. This experimental feel just blows other bands out of the water. But it's not just the music that's great. The lyrics are what make the music still feel human. Guy Garvey adds wit and romanticism to every song, and his Peter Gabriel-like voice just adds to this feel. "Lost in a lullaby, side of the road, melt in a melody, slide in a solitude". Beautiful. Some people say this album is more uplifting than the last, and, while that is true to an extent, the constant darkness of the first album is still here which is what I love. You just love the fact that the band are moody and unhappy, and they can't get enough of it themselves either. That's what makes this album work. So, in conclusion: great layered structure, unusual musicianship, brilliant lyricism, great production, curiously unhappy but uplifting feel... what more do you want? These guys are the future of rock music, so buy them now. And congrats to Elbow for making such an amazing record in a much shorter space of time.
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