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Three Impostors and Other Stories: Best Weird Tales of Arthur Machen v. 1 (Call of Cthulhu Fiction) (Call of Cthulhu Novel) |  | Author: Arthur Machen Publisher: Chaosium Inc.,U.S. Category: Book
List Price: £10.50 Buy New: £5.15 as of 11/3/2010 20:18 MST details You Save: £5.35 (51%)
New (14) Used (9) from £4.79
Seller: gb_books_uk Rating: 5 reviews Sales Rank: 164350
Media: Paperback Edition: Reprint Pages: 240 Number Of Items: 1 Shipping Weight (lbs): 0.7 Dimensions (in): 8.4 x 5.4 x 0.7
ISBN: 1568821328 Dewey Decimal Number: 813 EAN: 9781568821320 ASIN: 1568821328
Publication Date: July 1, 2001 Availability: Usually dispatched within 1-2 business days
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| Customer Reviews: Early master works February 11, 2010 Matteo Dei This is the first of a three-volumes collection of Machen's weird tales by H.P. Lovecraft's main editor S.T. Joshi. Perhaps the commentary in the introduction is too Lovecraft-centred, but the comprehensiveness and general care of this edition is worthy of mention. The tales are presented in chronological order, which helps following the author's career, and cover approximately the first half of the 1890s.
As a writer, Machen distinguished himself for a visionary approach, his works being the result of the transfiguration of reality through his own fantasies, or as Lovecraft put it, through his "sensitive aesthetic mind". Regarding style, allusion is a key device often used by Machen to create a horrific atmosphere, at times with tremendous effect. As with the content, more often than not, the "horror" quality of Machen's tales emanates from a natural (or cosmic) force, intimately associated with untamed nature and sexuality, identified by some with the life principle of nature. A modern reader would probably see nothing wrong with nature and sex, but from the author's standpoint, however, profoundly influenced by religion and victorian ethics, this force is seen as the antithesis of civilized society and thus a potentially dehumanizing factor. It is often met by the characters who come across it with awe and repulsion, and is so strong that can lead to mind annihilation or death. The hard evidence of this force is to be found in the survival of ancient, semi-human races, of pagan practises related to fertility and sexuality, and of ancient magic symbols.
The Great God Pan is arguably the best of the tales contained in this first volume. It shocked the victorian society when it came out in 1894 for its sexual connotations, although a modern reader cannot help feeling that the author is indeed too reticent in describing the events. The subject of the tale is about the existence of a wild and essentially evil entity, personified by the Greek God Pan, and the horrible consequences caused when the doors that normally keep it on a sphere separate from human existence are burst open.
The Inmost Light and The Shining Pyramid are two pleasurable tales, the former being almost a variation on the theme set out in The Great God Pan, the latter introducing the reader to the "little people" surviving beneath the hills of modern Wales.
Finally, The Three Impostors (1895) is an ambitiously structured work containing a series of short novels, framed by a story opening and closing the whole. The novels are narrated by the characters of the main story and are individual works, clearly independent from one another for setting and themes. Indeed, more than one of them was published separately both before and after the publication of The Three Impostors. Here we find many of the favorite subjects of Machen, the little people, ancient pagan rituals, and witchcraft, together with some of his trademark theories, for example the supremacy of exctasy, magic and coincidence over rationalism, science and logic. This work features some highlights, such as Novel of the Black Seal and Novel of the White Powder, but overall the good bits get somewhat diluted in the labirintine structure.
Arthur Machen - Three Imposters and Other Stories January 9, 2010 Gary Palmer (Cornwall) If you are not familiar with Arthur Machen's singular take on the supernatural this is a good place to start. His themes in this collection are repetative and yet all his own. They include; the 'little people'(cute Elves they are not), Romans in Britain and walking the streets of London. All of this at a time when you could could walk to the countryside within an hour or so from Leicester Square. The stories are full of Gentleman of unknown means who collect 'curios' and sit around in their clubs telling tales all day to anyone who will listen . The stories are like mazes, stories within stories, they interweave and contradict then before you realise, they have finished, leaving you punch drunk by his ingenious audacity. Don't expect the usual story arc. His style sometimes drifts into dreamlike prose as characters wrestle with reason and myth, a very late Victorian preoccupation. The description of London at the turn of the 19th century, with the approach of a type of Modernism which has its own inherent unknown dangers are almost documentary in description. The use of coincidence within the narrative is bit jarring and over used and for me the only true weakness but can be forgiven as the originality of his devices and themes are refreshing and deserve greater recognition.
flawed cult classics December 19, 2003 S. Hapgood 6 out of 7 found this review helpful
Arthur Machen's "The Three Imposters" and "The Great God Pan" (both contained in this volume) are held in almost reverential regard in the world of fantasy fiction. There is no doubt that they have a unique quality to them, but I find them curiously unsatisfying. I won't argue that they are intriguing tales, and they sum up the world of Edwardian decadence, but they are simply let down by some lazy writing. For instance, Machen was absolutely hopeless at characterisation, and all too often the plots contain too many far-fetched coincidences, which would try the patience of even the most hardened whodunnit reader!I appreciate that Machen's appeal lies in his ideas and the Aleister Crowley-like quest to find the doorway to another dimension, but as stories, although they make an impact, they can also make you feel short-changed. "The Great God Pan" COULD have been a great story. The central theme is excellent, in that a young woman, the product of one man's misguided scientific experiments, has become imbued with the essence of pure evil and brings tragedy to all who get involved with her. Fine, nothing wrong with that as a plot whatsoever. But I find it gets farcical that everyone who gets a glimpse of the God Pan basically falls down in a foaming fit of terror and expires. As a plot-device it quickly loses all feel of suspense. It's almost as if Machen should have just come up with the ideas, and then passed them onto another writer to flesh them out. Because that's what's badly lacking in these stories, any real substance. The stories too often feel like jottings hastily scribbled down and then cobbled together, not like the finished product. "The Shining Pyramid" too starts off promisingly. Dyson, the central male character and investigator in most of these tales, is called to a small English village to look into the disappearance of a young local girl. Dyson comes to the conclusion that she has been spirited away by the Little People. This would be a difficult scenario to pull off at the best of times, but this is hampered too by some absolutely turgid writing. What is clearly meant to be A Slow Build-Up Of Tension, with the finding of the strange symbols drawn on the garden wall, and the arrow-heads laid in a pattern on the ground, is quite frankly just BORING! "The Three Imposters" is much-respected, and on the whole deservedly so. It is highly complex, being tales within tales, like a puzzle, and extremely original (particularly for its time). It is a highly influential work. Worth reading for anyone who likes a genuine conundrum, but again the characterisation is poor. My favourite is actually "The Inmost Light", which has a genuinely unnerving air to it. It concerns a Dr Black and his pretty young wife, who move into a suburb of London and who appear to be blissfully happy together. Then Mrs Black completely disappears from view over the winter months, and when she is glimpsed again, quite by chance, through a bedroom window, it appears that a horrific change has come over her. This is quite disturbing, although, once again, Dr Black's written confession at the end about what he has done to his wife to cause this terrible change, could have done with more detail, and Dr Black's motivation, even going for the idea that he is at the mercy of something stronger than himself, isn't satisfactory. Nevertheless I would go so far as to rate "The Inmost Light" as one of the most effective short stories I have ever read.
Murder Most Queer April 3, 2003 Mrs. Sarah Crabtree (UK) 3 out of 7 found this review helpful
A hark back to the days of old when London was a smoggy Victorian town and evil spirits dwelt in the misty streets. The writing is eloquent and lyrical. The author takes the reader by the hand and guides him through labyrinths of horror and on into the world of the supernatural. The mind is a canvas for one's own over-active imagination and once one is engaged in the language, then it is easy to flow along with the storylines.Weird and wonderful.
This novel is a must for the fan of imaginative literature. June 14, 1999 9 out of 10 found this review helpful
Some of the best prose I have ever had the intense pleasure of reading. Machen's works, and especially this novel, are essential reading for anyone who appreciates stylish occult horror over the merely grotesque. He was a master craftsman at weaving together ancient Celtic and pre-Celtic legend with the gothic and macabre themes of witchcraft and the paranormal. Machen was one of the great masters of macabre and fantasy literature and it's a crime that his works aren't more available.
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