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The Death of Ivan Ilyich (Pocket Penguin Classics) |  | Author: Leo Tolstoy Creator: Anthony Briggs Publisher: Penguin Classics Category: Book
List Price: £5.99 Buy New: £1.61 as of 14/3/2010 18:57 MDT details You Save: £4.38 (73%)
New (29) Used (7) Collectible (1) from £1.61
Seller: UKPaperbackshop Rating: 7 reviews Sales Rank: 98476
Media: Paperback Edition: New Ed Pages: 112 Shipping Weight (lbs): 0.2 Dimensions (in): 6.8 x 4.3 x 0.6
ISBN: 0141023600 Dewey Decimal Number: 891.733 EAN: 9780141023601 ASIN: 0141023600
Publication Date: January 26, 2006 Availability: Usually dispatched within 1-2 business days
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Showing reviews 1-5 of 7
On reading Tolstoy for the first time January 16, 2009 Dennis Littrell (SoCal) 1 out of 1 found this review helpful
I've been reluctant for decades to read the great Russian master because I never felt I had the time to tackle War and Peace or Anna Karenina. I suspect others have felt the same way and thereby missed reading one of the truly great literary artists to have ever lived. Put it off no more. Pick up this 317-page splendid collection of some of Leo Tolstoy's best stories including the celebrated "The Death of Ivan Ilyich."
There are six other stories, the most significant of which is perhaps the sad "Polikushka" which is just about as long as "Ivan Ilyich" and to my mind a bit better in some respects. I also very much liked "The Raid" and "The Woodfelling" which are starkly realistic stories about soldiers engaged and not engaged in battle told wistfully without phony heroics or needless sensationalism. In fact, every story is not just excellent, but deeply engaging, cathartic and transcending as only great literature can be.
You don't have to read more than a few pages before you are struck with the sheer majesty of Tolstoy's gargantuan narrative style, his command of all aspects of storytelling from the kind of deep understanding of character that one finds in Shakespeare, to the kind of descriptive power about people and their environs that can only come from someone with a prodigious memory, a sharp eye and an unusual ability to concentrate. Somehow Tolstoy always knows what to leave in and what to leave out. He knows how to describe without slowing down the tale or making the reader aware of "purple passages." Everything flows like the great Don as naturally as breathing, but with a massive density of observation and experience, both intellectual and emotional, that frankly leaves this scribe in awe.
Tolstoy reminds me of Guy de Maupassant in his realistic depictions of peasant and bourgeois life, except that--hard to believe--he is even better! Furthermore, Tolstoy displays in a restrained and subtle manner a deep love for his characters. Again like Shakespeare he understands the psychology of the high and the low and is sympathetic to their struggles. Even though Ivan Ilyich was a self-important and pitiless magistrate who lived something close to an empty, unobserved life, which Tolstoy presents without rancor or pity, there is nonetheless a sense, especially toward the end, of compassion and empathy for a man who, although elevated in society, really didn't know any better than to blindly follow an animal bourgeois existence.
Although some of the stories are written in the first person Tolstoy stands back and is uninvolved, a seeing eye and a listening ear. Because of his great narrative power, Tolstoy even in the first person seems almost god-like in his point of view. He sees the landscapes and the trees and little children with their soft skin and plaintive cries, and he sees the blowhards and the hypocrites, the pathetic and the drunk, and the stupid, and treats them all the same. For the most part, at any rate. Sometimes his gaze favors some and disparages others. He is both objective and subjective, both a literary artist who values truth with a capital "T" and someone who cares deeply about these people he has invented/imagined/observed and remembered. He presents such an incredibly rich and vivid portrait of life in 19th century Russia that you feel you are there in the bitter cold beneath high blue skies, wearing the rags and the birch bark boots, smoking the cheap tobacco and throwing back the oily vodka, sleeping five to a bed listening to the cockroaches near the stove in the black of night, fearful of death and crossing yourself before icons, and all the while dreaming of something grand and laughing uneasily at the absurdity of life and shivering at the inevitability of death.
Yes, this collection, as Anthony Briggs, one of the translators, says in his fine introduction, is about death. Ivan Ilyich dies, but many others also die. Some in battle, some in bravado, some by accident and some by their own hand. Some foolishly, some painfully, some without a notion of why or what for, but all of them essentially alone. Tolstoy focuses intently on this dying and goes deep into the souls of those dying, how they cling to life and rationalize away what is to come and what they have done, lying to themselves; and how others take it as their due, without self-pity, without a word, just a hand to the chest and a stoppage of life, and then a report, some words exchanged, a bit of gossip about so-and-so who is now gone.
But as Carl Sandburg told us, the grass will still grow and cover all, and life will go on, and again the same delusions and appetites and vanities will be propagated and the same pain and suffering, the same petty quarrels and petty delights, snatches of beauty amidst the ugly squalor will be seen again, and, as at the ending of "The Raid," a sonorous voice will once again lift itself into the air in song, and the men will move quietly on to a new task, a new beginning, toward a final ending somewhere down the long and dusty road.
Excellent collection of stories about the human condition September 29, 2007 John Hopper (London, UK) 4 out of 5 found this review helpful
A very good collection of short stories, worthy as an introduction to Tolstoy for those who aren't ready to tackle War and Peace or Anna Karenina. They have much to say about the human condition, the nature of love and desire, marriage, family relationships and death, and as such have relevance for readers in many countries and cultures.
Family Happiness is probably the least good of the quartet, lacking the passion and drama of the other three stories. It is a study of the changing nature of love in the marriage between a young girl and an older man (though he is only in his late 30s!).
The Death of Ivan Ilyich is one I have just read separately, so I did not re-read it in this collection. For the sake of completeness here though: this concerns the thoughts and feelings of a man towards his family and those around him as he gets progressively more ill and is then dying from a wasting disease that sounds like cancer. The opening chapters are quite light-hearted with some ruefully amusing reflections on marriage and attitudes towards ones career, but then the mood becomes much darker and he ends being cynical about his family, seeing them as wishing his death to come sooner so they can be free of the burden of caring for him.
The Kreutzer Sonata is a very powerful story about the breakdown of a marriage, with some very advanced for the time (1889) views on how marriages evolve and how couples can grow to take each other for granted and eventually become actively hostile without wanting to grow apart. Tolstoy's postscript, published following the banning of the story in Russia and elsewhere, and concerning the moral superiority of celibacy, somewhat detracts from the dramatic impact of the ending, though.
The Devil is a powerful tale about how a nobleman's passion for the object of a former fling with a peasant wife destroys his seemingly happy marriage through obsession. There are two endings, the published one where he kills himself and the alternative one where he kills the object of his obsession.
An excellent collection, some of the best Russian literature of its type.
Moving and progressively grimmer as the story develops September 21, 2007 John Hopper (London, UK) 3 out of 3 found this review helpful
The thoughts and feelings of a man towards his family and those around him as he gets progressively more ill and is then dying from a wasting disease that sounds like cancer. The opening chapters are quite light-hearted with some ruefully amusing reflections on marriage and attitudes towards ones career, but then the mood becomes much darker and he ends being cynical about his family, seeing them as wishing his death to come sooner so they can be free of the burden of caring for him. A short story but one with a lot to say about the human condition and by no means necessarily tied to its Russian background.
Catastrophic November 5, 2006 Luc REYNAERT (Beernem, Belgium) 4 out of 5 found this review helpful
These stories give an excellent view of Tolstoy's vision on the real nature of man, his place in our world, on sex, marriage and women, on man's ultimate destiny and on morals.
For Tolstoy, man as a species is barely more than an animal incapable of controlling his `animal passion'. More, `it is perhaps better that people should be pure animals, then they would not suffer from death and disease.'
In `The Devil', the main character commits suicide because he cannot control his sexual drive ('his swinish life'). In `The Kreutzer Sonata', the main character knows his wife `only as an animal and nothing can restrain an animal.'
To have sex is `necessary for physical health', but the solution lays in no way in marriage.
In `Family Happiness', the novelty of the first years of marriage (`the wild delight') turns into routine. Pure love for her man becomes `love for her children and the father of her children.'
But in `The Death of Ivan Ilyich', `conjugal love was in reality a very intricate and different business.' And, in `The Devil', marriage is not less than sin, `a deviation from the doctrine of Christ'.
`The Kreutzer Sonata' is not less than the killing of marriage as an institute.
For sex one needs a partner. Here, L. Tolstoy shows his serious misogyny. In `The Devil' it is crystal clear who the devil is and who constantly reminds the main character of his sexual drive. In `The Kreutzer Sonata': `that the women of our society have other interest in life than prostitutes, but I say no.'
The only solution then is chastity and celibacy, in other words the extinction of mankind. Tolstoy has absolutely no problem with this outcome, for in any case science tells us that mankind is doomed with the death of the sun!
Chastity and celibacy makes of man still more an island. In `The Death of Ivan Ilyich', the main character `cried at his awful loneliness, the cruelty of people, the cruelty and the absence of God.'
If celibacy is Tolstoy's ideal of humanity what should man do? `Family Happiness' gives us the answer: `in life there is only one certain happiness - living for others.'
As science has proven, pure altruism is a synonym for evolutionary death.
This extremely emotionally driven short stories reveal clearly Tolstoy's demons and his catastrophic vision on mankind.
Not to be missed.
One of the best things Tolstoy ever wrote June 7, 2005 6 out of 6 found this review helpful
As Wittgenstein said 'Death is not an event in life'. In Tolstoy's narrative we see frequently how those still living are unsure of how to react in a genuine way to those dying, and instead fall back on their normal habits and approaches to life - one character early on won't let Ivan's death stop him from his evening routine of gambling. Ivan's widow is, between her sobs, concerned that she should get the maximum amount possible from the government to cover his funeral. It's touches like these which bring to mind Auden's 'Musee des beaux Arts', and also make the narrative ring as true as as it does. Another significant strand to the story is Ivan's relationship with his servant Gerasim, who cares for him as he approaches death. Gerasim is different from many other characters in that he is able to deal with the dying Ivan in a way that is not disgusted, patronising or false. He is the one character who is actually able to relate to him genuinely as he is dying. And this is one of Tolstoy's more didactic points that he sneaks into this narrative of dying, that he sees peasants as being more authentic than the aristocracy of which he was so much a part. But the didacticness never gets in the way of the story, as it arguably does in some of Tolstoy's longer works, and 'The Death of Ivan Ilyich' shows Tolstoy at his most concentratedly brilliant. The translation of this Hesperus Press edition is excellent, and the story is also supplemented by 'The Devil', a story about an aristocrat falling in love/lust with a peasant girl, and its unhappy consequences. While it may not be quite 'The Death of Ivan Ilyich', 'The Devil' is still worth reading. Altogether, a very worthwhile buy.
Showing reviews 1-5 of 7
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