Whit

Banks is obviously fascinated by his (and my) native Scotland. The dilapidated railway bridge near the headquarters of the religious cult that is the central theme of the story was part of a line from Balloch to Stirling, as unlikely a route as was ever laid in the railway mania. I was intensely interested in what Banks told me about it, and to return the favour I can inform him that it made its junction with the line to Perth not at Bridge of Allan but at Stirling itself. I think Banks just loves saying 'Gargunnock' and 'Kippen' to judge by how often he mentions these villages, and he leaves us in no doubt of his fascination with the Pendicles of Collymoon just for its name. The setting is largely rural central Scotland with flashbacks to Western Isles. The narrator also makes an Odyssey to London, Essex and the West Country in pursuit of a renegade cousin, and the patois of Glasgow and Essex, as well as the Texan grandmother's idiom and attitudes, are all reproduced with an acute ear for the way such speakers really sound. The scene-setting is really rather brilliant. Obviously there is no point on looking for realism in a totally fictional religious cult, but it gets more convincing as one becomes used to it. This is a work of imagination, but my attention was well and truly held by the truthfulness of the depiction of the London squat, the vendors of the racist newspaper and the various drivers with whom the narrator hitches a lift, even if there's just a suspicion that Banks is spinning the last of these out.

The book is full of wry humour, and very well put together after the opening chapters. The adolescent narrator gets through a lot of growing up in not many years, but the process is neither ridiculous nor squalid, both of which can be said about what happens to Richard Adams's poor Maia. Some of the writing is very good indeed, like the end of chapter fourteen, and some of the jokes are very good too, like the one about the IRS on p232. It would probably be wrong to pigeonhole this novel into some particular genre, but what it turns into more and more as the narrative progresses is really a detective story. What is really going on in this odd religious sect and what are some of its members really doing? Where did the narrator's grandfather come from originally? These issues are actually more central to the book than the whereabouts and exploits of the elusive cousin, which the story purports to be to start with but which turns into a clever entrée into more interesting sub-plots.

I found it very absorbing and very original as well as very clever and skilful. I read it as entertainment, fairly light in tone rather than 'exploring issues', and I had finished it sooner than I expected to. One side-benefit to me was that it awakened a strong desire to explore a part of my native country that I have seen very little of. The area crossed by the sad little railway from Balloch to Stirling is of outstanding beauty by anyone's reckoning. If anyone reading this notice gets to the Pendicles of Collymoon before I do and can tell me more about it than I have just found out on the internet I shall be more than interested to hear.


The Whit and Wisdom of Banks   January 26, 2006
cluricaune (Co. Armagh, N. Ireland)
7 out of 7 found this review helpful

Iain Banks first novel, The Wasp Factory, was published in 1984. In the years since, he's won critical acclaim, topped best-seller lists and has even written Science Fiction books under the cunning nom-de-plume 'Iain M. Banks'. He's also seen this book, "The Crow Road", adapted for television by the BBC in 1996. "Whit" is his eighth non-sci-fi book, was first published in 1995 and comes with the subtitle "Isis Amongst the Unsaved".

The book's central character is Isis Whit, commonly called Is - though more formally known as Blessed or Beloved Isis. Isis is a Luskentyrian, a member of a religious sect founded by her grandfather, Salvador. Like him, she is very important to the faithful - she holds the position 'Elect of God' and is a future leader of the Luskentyrians. Home is High Easter Offerance - located in Scotland, on the banks of the River Forth. The book opens in May 1995, when Isis is nineteen years old and with the Festival of Love approaching. The Luskentyrians consider people born on the 29th of February very special - the Blessed Isis herself was born on that date. As a result, a Festival of Love is held every four years - at the end of May in the year preceding a Leap Year. As the end of May is nine months before the end of February and it is a Festival of Love, I'm sure you can figure out what happens at it...

Isis' cousin, Morag - while not strictly considered a missionary - has been living in London for six years. Based on her letters, it appears she has become a successful musician - an internationally renowned baryton soloist, no less. She had been due to return to High Easter Offerance for the festival, where she would have been the Guest of Honour. However, her most recent letter to the community includes the news that she has turned her back on her faith and will not be returning. One possible option was for Isis to take Morag's place as guest of Honour - something she wasn't entirely keen on. Instead, Isis is sent to London to try and rescue her cousin - the book tells the story of her journey and return.

This is only the second book by Banks I've read, the first being "The Crow Road". Like it, I found "Whit" to be very enjoyable. It's told entirely from Isis' point of view - she describes her journey, outlines her discoveries, explains her beliefs and tells the history of her sect. Luskentyrians avoid modern technology as far as possible - nothing at High Easter Offerance runs on electricity, for example. It's amusing, at times, to see her reaction to life in the 'modern' world. There are several very strong supporting characters - Yolanda, Isis' very colourful and hugely entertaining Texan grandmother, particularly stands out. The only disappointment is that some of them didn't make a bigger appearance. Highly recommended !